Graeme Allwright
I was watching Campbell live last night, and lo and behold saw my grandmother's cousin who is over here performing!Wish I could go the the concerts, but he ain't coming down here! I might say I always loved his music!!!
Here is more about him:
Graeme Allwright is an anomaly. He is a NZ musician who is more famous in France that any Kiwi musician ever has been in New Zealand, yet having never before played here he is almost totally unknown. In France, the former Lyall Bay boy is considered a musical legend on a par with Bob Dylan, Cat Stevens and Leonard Cohen.
Graeme became famous in the 1960s when he began translating American folk songs into French.
Mention the name Graeme Allwright to anyone in the great cities of Lyon, Strasbourg or Marseilles - and the chances are that you will not have to wait too long before a long list of Graeme’s hits are reeled off. But, conduct a vox-pop around the streets of Wellington and you’re sure to be greeted with a chorus of ‘Graeme who?’
Aged 78, Graeme is still singing and considered to be an iconic part of French popular culture. In the last five years, jazz has been Graeme’s main focus.
Despite Graeme’s huge success in France and other French speaking nations such as Switzerland, Madagascar, Belgium and French speaking Canada, he is still very much a private individual who spends an increasing amount of his time living a simple life with his partner in Brittany. He has always shunned the lifestyle that goes with fame – preferring to spend long periods in India, the Himalayas and Madagascar. Having made millions and given millions to charity at 78 he still chooses to travel around on the metro with his bag and guitar – never thinking to take a cab.
Graeme was born into a musical family and grew up in Lyall Bay, where his father worked as the local stationmaster. "You can imagine what it was like", he relates, "a young boy seeing his father put his cap on, blowing his whistle and watching huge locomotives slip out of the station. I loved my years in New Zealand. Later on we moved up to Hawera, where my childhood was full of fields, wild rivers, orchards and the bush. Magical. Wouldn’t have changed it for anything in the world."
Anxious to pursue a career in theatre, Graeme was only too well aware that his days in New Zealand were numbered - for then there was no professional company in the land. It was with a measure of good fortune, therefore, that former Prime Minister Peter Fraser happened to attend an Ibsen play in which the young Allwright was performing. He was so impressed by his performance that he promptly arranged for him to receive a bursary to attend the Old Vic School in London, keenly aware that he was one of the most promising actors in the land. It was at the Old Vic that Graeme met and fell in love with a French actress.
Graeme relates how his move to France put a speedy end to his thespian aspirations - on the not unreasonable grounds that apart from the odd oui and non (the former an essential prerequisite for the marriage ceremony to Catherine) he could not speak a single word of French. He had married into a theatrical family, however, and soon found himself as an assistant stage manager cum general handyman.
"As my French improved I started to do bit parts. And before too long I was playing the part of Oberon in A Midsummer Night’s Dream. I had absolutely no idea that I would become a singer though. I guess the seed was planted when I began to mix some acting evenings with some singing as a kind of fill-in towards the end of a performance. This seemed to go down really well. I also learned how to play the guitar. Then I hit upon the idea of adapting some songs I particularly liked - songs by Cohen and Dylan."
It was not too long before Graeme had hit the road as a singer in his own right. But his big moment came - exactly as it had done some years earlier at the other end of the globe - when a VIP happened to be attending one of his performances. That person was the managing director of Phonogram, part of the giant Philips group, and one of the biggest record labels in France.
"The next day he sent along one of his artistic directors" Graeme continues, "and I was taken out for a drink. Well, then, this chap simply turned round to me and said ‘sign here, boy’ - which I did - right on the dotted line. It was just like in the movies. I signed up for 5 years. And was only too happy to do so."
Whoosh! That’s just about the only word to describe what happened to Graeme’s career from that moment onwards.
"Suddenly I became a star. My first record was an instant hit. In fact it was so popular that the entire LP was played on the popular radio station Europe 1 - nothing like that had ever happened before. I was so successful I really had no idea what had hit me. I was knocking out a mixture of protest songs - I got caught up in the 68 movement of student-led rebellion - but my songs seemed to reach out to all people of all ages and right across the social divide."
And yet Graeme was never entirely comfortable having become part of the mainstream - even the alternative mainstream - and it was not too long before he deliberately walked away from his overnight success. For at the height of his fame he gathered a few of his possessions together, bundled them into a rucksack and, not for the first time, hit the road - this time heading out East. Had this move been designed by a shrewd and calculating PR man it would have been heralded as superb - for Graeme’s ‘disappearance’ elevated him to almost mythical status - he became a kind of cult figure with rumours and counter-rumours flying around thick and fast. In fact at one stage Graeme’s son was told by his schoolmaster his father had been killed in an accident. Others whispered darkly that he had committed suicide.
And then unexpectedly and unannounced Graeme, ever the drifter, would reappear on the scene. Produce another record; enjoy a period of renewed success there - before withdrawing again. It was a marginal kind of lifestyle that took its toll - including not one but two failed marriages. You can say what you like about him, but one thing is undeniable, Graeme’s songs have won the hearts and souls of the French people, his titles such as Sacrée Bouteille and Suzanne having entered into legend and folklore alike.
So looking back on his long and successful career (at 78 he continues to play in public) is Graeme proud of what he has achieved?
"Pride is a nasty thing", he replies thoughtfully. I am not proud. But I am astonished. Astonished that a New Zealander should have made it in France. What I do find most satisfying though is that it’s clear that I do bring happiness to many people. And that is truly a wonderful thing to be part of."